gatoficio.

Solo makers & small product businesses

Show one thing.
Let the words support it.

A short demo needs a visible action, not a shorter sales page. Put each spoken line beside the shot that can support it before you open the camera.

Start with one question a buyer can check

Choose a single question, such as whether a desk organiser's layout suits someone's space. Write the answer in ordinary spoken words. Then list what the viewer must actually see to evaluate that answer.

A demonstration is not evidence for every claim. Showing a tray holding pens does not establish durability, a universal fit, a time saving or a sales result. Check dimensions, materials, availability and any other factual claims against the actual product. Do not borrow customer stories or imply a testimonial you do not have permission to use.

For this exercise, leave out the full feature list. Keep one visible action and one next step. Paper notes and an ordinary camera are enough; the worksheet does not require a teleprompter or a purchase.

An original script beside a shot list

This is a fictional, unbranded desk-tray demonstration, not a review, customer story or claim about a real product. The shown layout and product details would need checking before use. The wording is an example to adapt, not a promise about the length or performance of a video.

Pens and paperclips can end up spread across a desk.
Here is one way to give them a place.

This section holds the pens.
This one holds the clips.

Before buying a tray, check its listed width, depth and height
against the space you actually have.

Then decide whether this layout works for your desk.
Plan the visible support before filming
ShotSpoken beatWhat the viewer seesCheck before use
APens and paperclips need a place.A clear overview of the desk and the tray.Remove private documents and unrelated products.
BOne section for pens, another for clips.The actual placement of those objects in the two sections.The real objects fit without hiding an obstruction.
CCheck width, depth and height.The actual tray, with a reference to its confirmed dimensions.Verify the units and product version; do not invent a measurement.
DDecide whether the layout suits your desk.The complete layout again, with one clear next step.The linked product details match the item shown.

On a narrow screen, scroll the labelled table sideways. You can also copy the blank list below.

If a sentence has no useful shot, ask whether it belongs. If a shot does not help the viewer understand the point, it may not need narration. Neither rule requires fast cuts or a particular editing style.

A word count is a planning estimate

For a separate, hypothetical 60-word draft, assume a speaking rate and reserve time for silent demonstrations. These are arithmetic assumptions, not measured narration speeds, recommended targets or the timing of the sample above.

Speaking time = words ÷ assumed words per minute × 60
60 ÷ 120 × 60 = 30 seconds of speech
60 ÷ 150 × 60 = 24 seconds of speech
With 5 additional seconds of silent demonstration: 35 or 29 seconds

Count a pause only once. If the action happens during the spoken line, do not automatically add its whole duration again. Read your actual script aloud and time the actual performance. If it is too long, remove an idea or shorten a sentence instead of forcing yourself to speak faster. A 30-second platform limit is a constraint to verify, not a guarantee supplied by this worksheet.

Separate delivery from the object demonstration

  1. Rehearse the spoken pass. Read the words aloud, with paper cues or a scrolling prompt. Split sentences where you repeatedly lose your place. Choose portrait or landscape framing before the real take.
  2. Capture only the shots you planned. Use your chosen camera for the actual face or object footage. Keep the phone secure. A live preview or moving script does not mean a video has been recorded.
  3. Keep the originals. Note which take belongs to A, B, C or D. If you combine narration and separate object shots, use an editor that actually supports that workflow. A teleprompter alone is not a multitrack editor.
  4. Review the exported file. Listen for audible speech, check the object and text are visible, confirm the orientation, and verify every claim and destination link. Open the file you will send, not just a project preview.

Use your own footage or material you have permission to publish. Keep addresses, customer details and order information out of the background. Obtain any consent your actual shoot requires. This example is not legal advice or a certification that an advertisement complies with every market's rules.

Copy a small, finishable plan

Use this in a private note or on paper. No account, email address or app download is needed.

Product and exact version:
One question the viewer should be able to answer:
One visible action:
One next step:

Shot A / spoken line / visible support / fact to verify:
Shot B / spoken line / visible support / fact to verify:
Shot C / spoken line / visible support / fact to verify:
Shot D / spoken line / visible support / fact to verify:

Actual word count:
Timed read-aloud duration:
Silent action time not already inside that read:
What to remove if the video is too long:

Footage and music rights checked:
Private background information removed:
Chosen take filenames and backup location:
Export opened and audio checked:
Product details and destination link checked: